Posted in Uncategorized

Updates for 2024

Hey… it’s been awhile 😂

I’ve got to be honest. I got SO sick at the beginning of 2022 (Long Covid, you know how it is). It’s taken this long for me to get better. I’m not kidding– I got a POTS diagnosis, I spent the end of 2022 fainting like it was an Olympic sport, my medicinal history is now horrifyingly long (took awhile to find what worked). I didn’t stop writing, but I sure did scale it down while I was. You know. Spending my days in a half conscious daze.

2023 was good for my health, though; I’m back on my feet (literally!) and back to doing some of what I love. So let’s get into the good news, shall we?

Announcements! I’ve officially published 2 Kindle Vella series! One is through a publishing company; the story is called “Mate of Mine” and can be found under my name (Steph Surma). “Mate of Mine” is an Omegaverse Erotica story (I know! Branching!) and deals with a lot of heavy themes in between– and I don’t say this lightly– an unhinged amount of smut scenes.

The second KV series, and newest addition to my portfolio, is called “Deadmouth Quarry.” It’s spooky, it’s sexy, it’s mysterious– the full description is on Kindle Vella, obviously, but if you’re looking for a wild combo between Stranger Things, Murder She Wrote, and the kind of smut novels you can’t read in front of your grandparents, you’ve gotta check this out. (Also, full transparency, Sadie is one of my favorite characters I’ve ever created, and I love writing as her). DMQ excerpts are coming to this blog soon, so keep your eyes peeled for them!

Diamonds is once again available on Amazon for purchase! YHIM is coming to Amazon on January 15th! DMQ chapters will return in February! And I’ve created a Patreon and a Wishtender for people who want to support the artist! No pressure, obviously, for those last two; however it should be noted that DMQ will be published well ahead on Patreon than it is on Kindle Vella (and, quite frankly, for less money). Patreon also hosts some behind the scenes stuff for each of my writing projects, as well as some miscellaneous designs I’ve made over the years, just for fun.

Socials! Check out my new Insta page, specifically for my writing, at SimiSurma_Writes (that’ll be updated on my pages from here on out). I’ve also made a TikTok as SimiSurmaWrites (a Booktok, if you will!), and a Twitter/X account as AuthorSSurma. I’m still getting the hang of those last two, but Instagram is where you can see all of the out of pocket texts my beta readers and I send to one another, as well as reviews from my ARC readers and memes friends have made for each of my works.

New Arrivals! The sequel to YHIM, Around Your Finger, is in the works! (I won’t lie, I’ve had it half finished since I wrote YHIM. It’s just been sitting there. Waiting. Mocking me.) If all goes well, I’m hoping to get it published within the second quarter this year. I won’t pick an exact date because I know who I am as a person, but my aim is for late April/early May. (We’ll see if that happens– no promises, just a very hopeful aspiration).

That’s it! I hope everyone is having a Happy New Year, and I hope 2024 brings everyone joy and great reads!

Posted in Behind the Scenes

My Novel Writing Process

I mention my writing process in my FAQ, but for aspiring authors, here’s a longer breakdown of how I take a fleeting idea and turn it into a published novel!

1- Start with an idea. This seems so straightforward but I cannot tell you how many times someone has said “I’m writing a book” and I ask “What’s it about?” And they can’t even give me a basic plot idea. It doesn’t have to be a fleshed out, grand idea, with every plot twist and subplot all scoped out– but you should know the bare minimum. What is your Genre? This is where I usually start, and the answer is almost invariably Romance, even if the romantic plot is only a subplot. Who are your Characters? I like to have both of my leads at least in a stereotype that I can build off of, for example: Grumpy Introvert falls in love with Bubbly Ray of Sunshine. I can adjust their personalities based on whatever trope pairing I’ve selected, or sometimes I think about one character and then research pairings to decide who the other is. If you’re writing a mystery, who’s your culprit? Who’s your investigator/detective? If it’s horror, who or what is the villain, monster, horror icon, etc? If you have at least these two aspects in mind, you have an Idea.

2- Story Arc. So you have your idea– next come up with a vague, over-arcing plot. As I mentioned in the last step, I usually start with a trope pairing. We’ll stick with Grumpy Introvert and Bubbly Ray of Sunshine, henceforth known as Grump and Sunshine. I know that, in the end, they will fall in love. That’s a vague, over-arcing plot. Often I start this with an idea for my Conflict, but you can design or decide on yours once you have the overall plot and genre. Let’s say Grump and Sunshine have a miscommunication– He thinks She’s in love with someone else, She thinks He’s in love with someone else, and as it turns out, Both of them are in love with Each Other. That’s a conflict! You can milk that beauty throughout the entire book, and the climax/resolution comes from them finally addressing the conflict– in this case, realizing their miscommunication and clearing it up. You don’t have to know the how or the why yet, but you’ve got a decent foundation to build upon.

3- Essential Plot Points. We’ve all seen that little pulse looking thing English teachers use to teach us how to build a story line. If you haven’t, it’s just a visual representation of the rising action, the climax, and the falling action. That’s what we’re looking at now. Starting with your basic plot from the last step, you’re gonna figure out what Plot Points you need and where they go. For our Grump and Sunshine duo, we need a few scenes to happen BEFORE the climax, so we’ll list “Start”, then list each scene that needs to lead to the conflict. Obviously, our characters either need to meet, or we need to see their current relationship. That goes next to “Start.” Next, we need to show their developing feelings for one another. One essential plot point is the establishment of the conflict, so you’d list that as “Miscommunication.” Maybe put a little blurb in about how it goes down. Then we need them to have a couple of scenes where they’re alone to further the miscommunication and pine for one another. Select a few scenes that help build up your conflict, build your characters, and build their relationships with one another (this doesn’t necessarily mean romantically!), and list the important scenes. List everything you can think of. HINT: these don’t have to be in order!! We can sort that out later! Once you’re done with the rising action points, write “Climax” and a little blurb about how that goes down and gets resolved. Afterward, you can have your falling action. Tie up loose ends that the climax didn’t touch on, show the aftermath of the climax, show how your characters have changed and grown. Grump and Sunshine may have a scene where we see them nice and cozy in their newly shared space, or we may have an epilogue of a proposal/wedding/baby. List a point or two showing the resolution/aftermath of your climax, and voila! You’ve got your essential plot points.

4- Outlining. This is where things get a little more organized. I like to use a method I learned from Bookishdiplodocus on Tumblr/ Larry Brooks (credited in their post), and have since saved to a Pinterest Board for reference each time I reach this step. You basically create a fill-in-the-blanks outline and go from there. It goes like this:

  • Inciting Incident
  • World Building
  • Point of No Return
  • Rising Action 1
  • First Pinch Point
  • Rising Action 2
  • Midpoint
  • Rising Action 3
  • Second Pinch Point
  • Rising Action 4
  • Climax
  • Resolution
  • Falling Action
  • End

You’ve got the list– fill in the blanks. The Inciting Incident, PONR, Pinch Points, Climax, Resolution, and End should be once scene each. The World Building, Rising Action, and Falling Action should all be a few scenes each– as many as it takes. They don’t necessarily have to be even between each point, but it should be roughly even.

The Alternate Version:

I sometimes like to write in mini arcs that all tie together into the major plot, kind of like episodes of a TV show’s full season. Each arc lasts one to three chapters, and will get referenced again later, but they’re mostly individual vignettes with their own mini versions of the plot listed above. I find this system much more attainable with Romance writing than the Hero’s Journey style arc referenced above!

5- Scene List. Now we get REALLY in depth. You’re gonna list each scene, in order (or in a relative order– I often renumber and rearrange as I write when I realize something needs to move). Include a vague synopsis of the scene, so that you know what’s happening in it. That’s it! Easy Peasy. You’ve got the Outline to work from, use it as a springboard. If you’re stuck on a scene, you can plot it out the long way (or if you’re that kind of person, you can do that for every scene) by doing a full scene synopsis, a few paragraphs to a page for each scene. (I find this tedious and time consuming, personally, unless I get SERIOUSLY stuck).

6- First Draft. Follow your scene list. Go scene by scene, either in order or starting with the most important plot points and circling back to filler scenes (my usual go-to). This draft will be beautiful in that it exists. That’s all it has to do. Let it be short or long, blunt or rambly, vague or excessively detailed. You can start with just the dialogue, or just the action, and leave notes to yourself to fill whatever’s missing in later (I love doing this with filler scenes, especially). Just let it happen. You have a map. Use it. Most importantly, though, HAVE FUN. This is the most fun part of the writing adventure! Enjoy yourself!
Note: Some people start here. Just seat-of-the-pants writing. That’s perfectly fine! If you get stuck, you can make an outline, or just figure out what you want your next scene to accomplish as you get to it. It does help to at least have a general idea of where you’re going, like in steps 1 and 2. The excessive planning is preferential.

7- Read Through. This one might hurt. Your baby will be so bizarre; you’ll notice plot holes and inconsistencies in your characters. Some scenes are going to need moving, scrapping, or rewriting. Everything feels messy and disjointed. Fear not! This is perfectly normal! If you have a first draft, you have the skeleton of a full story.

8- Rewrite. You read that right. Don’t edit this one– Rewrite it completely, from start to finish. Print it out if you must, to make notes on when you edit in step 7; use two monitors or two different windows, whatever works. I know it sucks, it’ll suck no matter what. But when it’s done, your story will be more recognizable as a fully fleshed out book. This is where the most work happens; it gets easier from here.

9- Beta and Edit. This is where you get more eyes on your project. A few people you trust with varying opinions should do the trick! I have a nit-picky friend, an indulgent friend, and one who reads the manuscript like an actual editor. The differences in their feedback tell me what’s missing from the story. Aim within your target audience for Beta readers, though; too wide of a gap between each reader, and your feedback will be too contradictory to work with. Also, remember, you make the executive decisions. If there’s something that a Beta says that goes against the goal of the story, you have the right to ignore that feedback.

10- Final Edits. I think we went through my books about six times, together, between my initial read through, my editor’s read through, my Betas’ read throughs, my group read through, and all the times I re-read it myself before I chose a publisher. I polished the manuscript until we all agreed on it, and then created a pdf version of the document. It’s good to go through it multiple times, but it’s also important to take breaks between each reading, if you can. If someone professionally edits your manuscript, you’ll probably have to pay, but I find feeding my friends and book-clubbing the manuscript works for me.

This is where things differ between self publishing and mainstream publishing. If you’re publishing mainstream, this is where you get an agent, an editor, and a publisher interested in your work. Alas, I can’t be much help with that line of publishing.

11- Covers. A friend of mine created my first covers with Photoshop, some royalty free images, and me breathing down his neck for three hours. You can pay to have someone make your cover, but if you make it yourself, be sure to do your research. I ended up switching up my covers on my own because I wanted a different, more genre-savvy style than what we’d originally come up with– and that’s okay! Book covers in our industry change weirdly often, and we’ve just gotta stick with them. I use Canva, but you can hire someone on Upwork or Fiverr to get yours done, if you prefer. Or pull out the big guns with Photoshop or another professional art software.

12- Author’s notes, Dedications, etc. This is a place for you to really speak from the heart, should you wish to include either of these. I had my dedication and my author’s note written right into the manuscript, though the author’s note went through a little revision after the editing process to thank my Betas and editor.

13- Typesetting. I use Reedsy for my writing, and then their website can transport the entire manuscript in the correct format to publish. There are layout options, aesthetic options, so many options to choose from. I’m a big fan of their Romantic format, personally.

14- Publishing. Please do your research. Publishing should be a one-time cost and it shouldn’t be an arm and a leg. Learn from my mistakes and stick with Kindle or IngramSpark. Their websites have the instructions for publishing, but essentially, you upload the manuscript as a .mobi file, then upload the cover as a pdf, choose your printing settings, set the price, and voila, you have yourself a book! Ingramspark can provide you an ISBN, and a barcode, so you don’t have to purchase those separately unless you want to be credited as the publisher (note that you need a different ISBN for every format of the book you plan to sell). I would suggest publishing on both, and possibly even Barnes And Noble’s online option, with the rise of shady AI books on KDP, just to protect yourself and your brainchild.

And that’s it! It seems so big and scary when you sit down to write, but really, it’s just a step by step process. It takes a lot of hard work, but the end result is so worth it.

Go forth! Write that project of yours! And have so much fun doing so!

Posted in Uncategorized

Your Hand In Mine Book Summary

Is everyone excited for this book? I’m positively glowing I’m so psyched! Check out the summary below, and stay tuned for the book cover reveal!

“Gemma has always thought of Beckett as an antagonistic diva. Working with him is one of the worst parts of her job– until she finally tells him to adjust his attitude. Suddenly, he treats her like she’s the only person on the Whiley World Costuming team he likes. When the job position promised to her goes to someone else, Gemma’s shocked to discover Beckett’s supportive and friendly attitude toward her. But what reason would he have to be so kind?
Beckett doesn’t like people in general, but something about Gemma makes his head spin. He wants nothing more than to ask her out, but after such a rocky start, how can he hope to win her over? Will she even look his way? Or has he already ruined any chance he may have had with his horrible social skills?
With Beckett keeping her steady, it’s easy for Gemma to find herself falling for him. But one wrong move could mean losing him completely– or so she thinks.”

Posted in Announcements, Novels

New Book Announcement!

Ladies and gentlemen and those beyond the binary, the time has come to announce my next novel!

Your Hand In Mine will be available for pre-order by Valentine’s day. Stay tuned for the cover reveal, synopsis, a sneak peek, and more! Follow me on Instagram (SimiHoneybee) or Facebook (Stephanie Surma Books) for real-time updates, fun facts, and to share your thoughts with me and other fans.

In the meantime, keep your eyes peeled for updates on Some Days Are Diamonds as I republish it with a new publishing company!

Happy Holidays!

Posted in Excerpts, Novels

Deleted Scene from “Some Days Are Diamonds”

The Oklahoma! Rehearsal

This scene was removed from Chapter 4, while Elle, Davy, and John were having their emergency rehearsal for Oklahoma! I took it out because the scene felt too long, and a little redundant, but you get a nice little glimpse of Elle’s indecision.

They walked through the scenes, Anthony and Tommy playing their way through the songs in an interesting acoustic rendition of the show. Elle didn’t bother to put much into emoting yet, focusing instead on her blocking, and Davy’s opposite her. It was an awkward, disjointed display, jumping from scene to scene. Haley came out in half costume to run her scenes with Elle, and to help practice the change during Elle’s solo. 

The duet with Davy was pretty weird without an audience. They sang it in the empty dining room, winding their way between the tables to meet in the center of the house. Elle marked her blocking, both of them mumbling their way through the lyrics while Davy herded her around the tables to the right places at the right times. The whole thing was so emotionless and professional, she didn’t even register that they were singing a love song.

Working with him wasn’t that bad, she realized. He was gentle, professional, and focused. He didn’t seem to be thinking about what they’d talked about earlier, and Elle only found herself thinking about it whenever she looked at John.

Strange, she realized. She should be thinking about her date with Davy while looking at Davy. 

Actually, she shouldn’t be thinking about it at all. 

Logan and Haley filled in wherever else they could— and seeing Logan pretend to be Aunt Eller was a damn riot, so clumsy and overdone that Elle lost it halfway through running lines with him.

“Keep going,” she sputtered, waving at him from the front porch of the house set piece. “I’m fine!” She ended up laughing her way through one of the more serious scenes with him, then left the stage sputtering. “Twirl, dress, hoop-dee-doo, lights down. I know.”

Haley helped her pull on her party dress just off stage. “How do you feel, sweet pea?”

“Juiced,” Elle told her, holding her wig out of the way while Haley zipped. “I’ve been marking everything, but my body wants me to just do it.”

“Well, you’re about to run— what, eleven lifts?” Haley gave Elle’s shoulder the double-tap they’d both picked up from the resident costuming lady to let her know she was zipped. Elle faced her with a frown.

“There aren’t—” She paused, running through the choreography in her head. She had choreographed this number, and the first number of act two, and the big Kansas City dance. There was a lot of partner work in Farmer and the Cowman, and the dream ballet had a whole kick line section, but— “Oh my god, you’re right.” There were close to eleven lifts just for Laurey alone. “I’d never even thought about it.”

“Well, they weren’t lifting you.” Haley shrugged. “None of you weigh much of anything. I’m sure they don’t mind. Plus,” she winked, “They’re both pretty strong.”

Elle rolled her eyes. “Yeah, yeah.” With that, she strolled back onstage, dance shoes in hand. “Hey, Greg? Can we run those lifts before we run the whole scene?”

“Sure thing, Elle. Davy? John?”

“Afraid I’m gonna drop you?” Davy stepped up beside her with that faint, boyish smile of his, and Elle laughed. 

“No, nothing like that.” Fluttering her eyelashes, she said, “I’m sure you’re strong enough to carry me around.”

“Not that hard when each of us outweighs three of you combined,” John muttered from the wings.

Elle stuck her tongue out at him. “At least I know how to do a lift— and don’t tell Sarah or Bridget I said that.” She faced Davy again and grimaced. “I don’t know how to waltz, though. That could be a challenge.”

“We’ll figure it out,” Davy said. He put a hand on her shoulder and gave her a gentle, sweet smile. 

Ah. Yeah, Elle could get behind dating Davy, if he was going to be this sweet. She might— gasp— actually enjoy dating him.

By the time she and Davy finished running the lifts— and, essentially, half the actual choreography— Greg was shaking his head in the pit. Elle’s heart sank at the sight of him. “Do you… want us to run the lifts again?” She hedged, wringing her hands in front of her. Davy had been gentle and sure with each new lift, each transition. Things had been going so smoothly, it felt like she’d been in the show the whole run, just doing a brush up. 

When Greg finally looked up, he glared at her, though it was surprisingly without heat. “Why can’t you just audition for shows, so that I don’t have to pull you during emergencies?”

Elle’s shoulders dropped, and she huffed something between a relieved sigh and a laugh. “Greg, you’re gonna give me heart palpitations. Ask me about my life’s choices when we’re not cramming for a musical.”

“I’m just saying, my life would be so much easier if I didn’t have to twist your arm to be on stage.” 

Elle snorted. “No, it wouldn’t. Think of the paperwork. Think of the AEA.”

You are worth the equity headache,” Greg told her, jabbing an accusational finger at her. “John, come on out.”

Sweet, Elle thought to herself, ducking her head to hide her touched smile. As she faced John, nerves set off in her belly like someone had trapped a frantic bird inside it. Strange— she hadn’t felt a lick of anxiety for Davy’s half of this. 

Ridiculous, she told herself firmly, and pasted on a smile. “Ready to manhandle me?”

John snorted. “Isn’t that usually Logan’s job?”

Elle tried to stifle her wry smile, with mixed results. “It’s how he shows he cares.”

“By poking people with his long, skinny fingers—”

I can hear you, you big lug,” came Logan’s voice from backstage. Elle covered her face to hide her laughter, just in time for Greg to start the musicians up again. 

She should have known that John would be patient and careful with her. He rarely touched her at home, sometimes barely looked at her, but ever since she’d moved in, he’d been somewhat present in her routine. Handing her coffee in the morning, taking the dishes from her after dinner and insisting that he’d clean since she cooked. This was just a more physical extension of that, with him talking her thorough what he was doing along with the music, marking it, running the lifts so that she knew how to prep and when. He even warned her when he was going to grab her from behind during one of the sequences. 

“I think you’re good,” Greg said, once they talked their way through the end of the first act. “Take a break while I fill in the rest of the cast, and then we’ll go through act two.”

Elle nodded, her heart pounding with adrenaline. “Ten-four.” She turned toward John with a smile, brushing the curls of her wig over her shoulder. “Thanks for talking me through that. It’s different being in it, than it is to watch.”

“Sure,” he said, shrugging. “I wouldn’t want you to feel unsafe. It only gets worse from here.”

“Oof.” He was right— the whole Jud/Laurey dynamic was a tense, sometimes downright frightening one. “We’ll get through it. I trust you.” She smiled up at him, and caught the flicker of something in his eyes, before he smiled back. 

“I’ll be right back,” he said, and, with a quick pat on Elle’s shoulder, strolled off the stage and out toward the dressing rooms.

“Don’t get lost,” She called after him, receiving a dry laugh in response. She glanced down at the pit, fully intent on chatting with Tommy and Anthony, when someone caught her elbow. 

“Hey,” Davy said quietly, “can we talk about act two right quick?” It was pretty clear from his hesitation, and from the tight line of his shoulders, that he’d finally stumbled over the same realization she’d had earlier. This is fine, Elle reminded herself. It could be— practice, maybe, for whatever might happen on, or after, their date next week. This was, in a roundabout sort of way, perfectly normal for a potential couple. It might even help her settle her nerves, a little. “Sure.”

Posted in Uncategorized

Pre-Orders Opening!

Ladies and Gentlemen and those in between, Pre-Orders for Some Days Are Diamonds will be available on Amazon on Sunday, for both Ebook and Paperback! Also coming Sunday, an excerpt from the first chapter of the book!

Some Days Are Diamonds will also be available at the end of September in your favorite book stores and libraries. You may need to request it, but it can be sent to any book store! They’ll know what to do! I’ll post more about this once the time comes.

If you haven’t already seen my Book Cover or Synopsis, check those out. Also, feel free to check out my Bio and FAQ for more about me.

Stick around for updates and exclusive content!